A running series of posters as visual notes. I don’t keep a written diary; these are my thoughts—made quickly, instinctively, in one sitting. The constraint cuts out overthinking and lets improvisation lead, charting how my eye and process shift over time.
A Middle East Still Life - I staged a domestic still life—geraniums and a coffee cup on a worn windowsill—while, outside, a tank moves across a stark red backdrop. I used AI in the ideation stage to practise prompt-writing and explore compositions, then reworked and enhanced the image in Illustrator. The distressed, poster-like texture and limited palette are deliberate choices that set the calm of everyday ritual against the machinery of conflict, reflecting how ordinary life persists amid uncertainty.
This work is a visual haiku—an improvised composition that captures a fleeting yet layered narrative. Symbols intertwine to evoke contrast: sincerity and deception. The dagger, nestled among lilies, speaks of hidden threats, while the repeated smiles hint at façades masking deeper truths.
A tribute to early 20th-century Russian Constructivism, this poster channels the movement’s urgency through sharp diagonals, a red-black palette and bold typographic hierarchy. Photomontage, Cyrillic detailing and architectural references nod to Tatlin, Rodchenko and their peers, echoing their credo that “our duty is to experiment.
